{"id":5796,"date":"2021-01-06T16:45:59","date_gmt":"2021-01-06T15:45:59","guid":{"rendered":"https:\/\/prod-2018.frictions.co\/?p=5796"},"modified":"2024-03-26T13:10:38","modified_gmt":"2024-03-26T12:10:38","slug":"de-la-guerre-en-syrie-aux-manifestations-a-paris-itineraires-de-photo-journalistes-syriens","status":"publish","type":"post","link":"https:\/\/prod-2018.frictions.co\/english\/9-to-5-the-time-of-your-life-s2\/from-the-war-in-syria-to-the-protests-in-paris-itineraries-of-syrian-photojournalists-2\/","title":{"rendered":"From the war in Syria to the protests in Paris: itineraries of Syrian photojournalists"},"content":{"rendered":"<div class=\"vce-row-container\" data-vce-boxed-width=\"true\"><div class=\"vce-row vce-row--col-gap-30 vce-row-columns--top vce-row-content--top\" id=\"el-0702a6e8\" data-vce-do-apply=\"all el-0702a6e8\"><div class=\"vce-row-content\" data-vce-element-content=\"true\"><div class=\"vce-col vce-col--md-auto vce-col--xs-1 vce-col--xs-last vce-col--xs-first vce-col--sm-last vce-col--sm-first vce-col--md-last vce-col--lg-last vce-col--xl-last vce-col--md-first vce-col--lg-first vce-col--xl-first\" id=\"el-cf439478\"><div class=\"vce-col-inner\" data-vce-do-apply=\"border margin background  el-cf439478\"><div class=\"vce-col-content\" data-vce-element-content=\"true\" data-vce-do-apply=\"padding el-cf439478\"><div class=\"vce-text-block\"><div class=\"vce-text-block-wrapper vce\" id=\"el-77ef019c\" data-vce-do-apply=\"all el-77ef019c\"><h3><span style=\"color: #263056;\"><span style=\"font-size: 24pt;\">||<\/span> THE PODCAST<\/span><\/h3><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vce-row-container\"><div class=\"vce-row vce-row--col-gap-30 vce-row-columns--top vce-row-content--top\" data-vce-full-width=\"true\" data-vce-stretch-content=\"true\" id=\"el-8fdfc0d8\" data-vce-do-apply=\"all el-8fdfc0d8\"><div class=\"vce-content-background-container\"><\/div><div class=\"vce-row-content\" data-vce-element-content=\"true\"><div class=\"vce-col vce-col--md-18-81p vce-col--xs-1 vce-col--xs-last vce-col--xs-first vce-col--sm-last vce-col--sm-first vce-col--md-first vce-col--lg-first vce-col--xl-first\" id=\"el-b14136c5\"><div class=\"vce-col-inner\" data-vce-do-apply=\"border margin background  el-b14136c5\"><div class=\"vce-content-background-container\"><\/div><div class=\"vce-col-content\" data-vce-element-content=\"true\" data-vce-do-apply=\"padding el-b14136c5\"><\/div><\/div><\/div><div class=\"vce-col vce-col--md-64-49p vce-col--xs-1 vce-col--xs-last vce-col--xs-first vce-col--sm-last vce-col--sm-first\" id=\"el-9e6a561b\"><div class=\"vce-col-inner\" data-vce-do-apply=\"border margin background  el-9e6a561b\"><div class=\"vce-col-content\" data-vce-element-content=\"true\" data-vce-do-apply=\"padding el-9e6a561b\"><div class=\"vce-row-container\" data-vce-boxed-width=\"true\"><div class=\"vce-row vce-row--col-gap-30 podcast-link vce-row-columns--top vce-row-content--top\" id=\"el-fae63208\" data-vce-do-apply=\"all el-fae63208\"><div class=\"vce-row-content\" data-vce-element-content=\"true\"><div class=\"vce-col vce-col--md-auto vce-col--xs-1 vce-col--xs-last vce-col--xs-first vce-col--sm-last vce-col--sm-first vce-col--md-last vce-col--lg-last vce-col--xl-last vce-col--md-first vce-col--lg-first vce-col--xl-first\" id=\"el-b4aaff42\"><div class=\"vce-col-inner\" data-vce-do-apply=\"border margin background  el-b4aaff42\"><div class=\"vce-col-content\" data-vce-element-content=\"true\" data-vce-do-apply=\"padding el-b4aaff42\"><div class=\"vce-text-block\"><div class=\"vce-text-block-wrapper vce\" id=\"el-59a7fbee\" data-vce-do-apply=\"all el-59a7fbee\"><h2 style=\"text-align: center; margin-top: 0px;\"><span style=\"font-size: 18pt;\">Listen to our podcast on your favorite streaming platform :<\/span><\/h2><\/div><\/div><div class=\"vce-single-image-container spotify-icon vce-single-image--align-center\"><div class=\"vce vce-single-image-wrapper\" id=\"el-d9b7eef2\" data-vce-do-apply=\"all el-d9b7eef2\"><figure><a href=\"https:\/\/open.spotify.com\/show\/76IgYUABBLBtI3D1mjDM1U\" title=\"Ecouter le podcast sur Spotify\" target=\"_blank\" class=\"vce-single-image-inner vce-single-image--absolute\" style=\"padding-bottom: 100%; width: 50px;\" rel=\"noopener\"><img decoding=\"async\" class=\"vce-single-image\" width=\"50\" height=\"50\" src=\"https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2021\/06\/spotify512px-50x50.png\" srcset=\"https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2021\/06\/spotify512px-320x320.png 320w,https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2021\/06\/spotify512px-480x480.png 480w,https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2021\/06\/spotify512px-800x800.png 800w,https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2021\/06\/spotify512px-50x50.png 50w,https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2021\/06\/spotify512px-100x100.png 2x\" data-img-src=\"https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2020\/07\/spotify512px.png\" alt=\"Ecouter le podcast sur Spotify\" title=\"Ecouter le podcast sur Spotify\" \/><\/a><figcaption hidden=\"\"><\/figcaption><\/figure><\/div><\/div><div class=\"vce-single-image-container vce-single-image--align-center\"><div class=\"vce vce-single-image-wrapper\" id=\"el-30e6d238\" data-vce-do-apply=\"all el-30e6d238\"><figure><a href=\"https:\/\/podcasts.apple.com\/ca\/podcast\/frictions\/id1521437948\" title=\"Ecouter le podcast sur Apple podcast\" target=\"_blank\" class=\"vce-single-image-inner vce-single-image--absolute\" style=\"padding-bottom: 100%; 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width: 50px;\" rel=\"noopener\"><img decoding=\"async\" class=\"vce-single-image\" width=\"50\" height=\"50\" src=\"https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2021\/06\/deezer512pxcolor-50x50.png\" srcset=\"https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2021\/06\/deezer512pxcolor-320x320.png 320w,https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2021\/06\/deezer512pxcolor-480x480.png 480w,https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2021\/06\/deezer512pxcolor-800x800.png 800w,https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2021\/06\/deezer512pxcolor-50x50.png 50w,https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2021\/06\/deezer512pxcolor-100x100.png 2x\" data-img-src=\"https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2020\/07\/deezer512pxcolor.png\" alt=\"Ecouter le podcast sur Deezer\" title=\"Ecouter le podcast sur Deezer\" \/><\/a><figcaption hidden=\"\"><\/figcaption><\/figure><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vce-raw-html\"><div class=\"vce-raw-html-wrapper\" id=\"el-3a219c68\" data-vce-do-apply=\"all el-3a219c68\"><iframe frameborder=\"0\" loading=\"lazy\" id=\"ausha-VX3K\" height=\"220\" style=\"border: none; width:100%; height:220px\" src=\"https:\/\/player.ausha.co\/index.html?podcastId=bjLjlH4mK8pg&amp;playlist=false&amp;color=%23F08080&amp;display=horizontal&amp;v=3&amp;playerId=ausha-VX3K\"><\/iframe><script src=\"https:\/\/player.ausha.co\/ausha-player.js\"><\/script>\r\n\r\n<iframe frameborder=\"0\" loading=\"lazy\" id=\"ausha-KjFq\" height=\"220\" style=\"border: none; width:100%; height:220px\" src=\"https:\/\/player.ausha.co\/index.html?podcastId=yJE1OF8e2PNn&amp;playlist=false&amp;color=%23F08080&amp;display=horizontal&amp;v=3&amp;playerId=ausha-KjFq\"><\/iframe><script src=\"https:\/\/player.ausha.co\/ausha-player.js\"><\/script><\/div><\/div><div class=\"vce-text-block\"><div class=\"vce-text-block-wrapper vce\" id=\"el-e6cfac56\" data-vce-do-apply=\"all el-e6cfac56\"><p><span style=\"font-weight: 400;\"><\/span><\/p><p><\/p><p><span style=\"font-weight: 400;\">For Ameer and Abdul, photography is a vital response, a warning signal, a clenched fist. It revives the painful memory of a life left behind, of loved ones robbed by war, and becomes at the same time a way to move forward and to rebuild a life elsewhere.<\/span><\/p><p><b>Abdul\u2019s story<\/b><\/p><p><span style=\"font-weight: 400;\">Abdul arrived in France in 2018 to rebuild a life and to work as a photojournalist. He is originally from Hamouria, a Syrian city in the Ghouta suburbs located east of Damascus, the capital. He was 17 years old when the Syrian army carried out its first attack against the population in 2011, during a peaceful protest against Bashar al-Assad's dictatorial regime. This first act of violence marked the beginning of a revolution that is still underway.<\/span><\/p><p><span style=\"font-weight: 400;\">Two years later, the regime besieged the Ghouta region which was occupied by the rebel troops. Air raids intensified their strikes on the cities and killed a great number of civilians, many of them children. From then on, the 400,000 inhabitants of the region were taken hostage in an open-air prison, deprived overnight of their daily lives, their homes and possibly their loved ones, who were arrested or bombed.&nbsp;<\/span><\/p><p><span style=\"font-weight: 400;\">Abdul had never imagined he would become a photojournalist. Initially, he intended to study computer engineering. When the war broke out, he was just finishing high school and interrupted his studies. Later, he plunged into the world of journalism, joining friends working for a media outlet founded after the 2011 revolution, which was already covering the situation in Hamouria. The first images Abdul released to the world were a video taken on the spot of people being killed in his city by the Syrian authorities' aerial bombs.&nbsp;<\/span><\/p><p><span style=\"font-weight: 400;\">Photojournalism is a cause that Abdul and his friends have decided to fight for, on behalf of their country, to stand up against the relentless and daily violence and the government's false propaganda that conceals the truth. It is a reality that must continue to be denounced in Syria as well as around the world, Abdul insists.&nbsp;<\/span><\/p><p><span style=\"font-weight: 400;\">---<\/span><\/p><p><b>Citizen journalists<\/b><\/p><p><span style=\"font-weight: 400;\">It was difficult to find media that wasn\u2019t controlled by the government at the time. But since the Syrian revolution, many people like Abdul and Ameer have decided to mobilize themselves and report on what is really happening in their country. These \"citizen journalists\" began covering the war from every corner of Syria, through local and international media. Their images were important, given that foreign journalists had no access to the region under siege.&nbsp;<\/span><\/p><p><span style=\"font-weight: 400;\">Most of these reporters of a new kind were trained in the field. \"It was very rare to find a journalist who had learned his job in an academic setting,\" Abdul says. As for him, he took online photography courses, but it was in the field that he really developed his skills, like all his fellow journalists. In fact, Abdul explains they all learned the job \"together\", and everyone shared the same story and the same pain.<\/span><\/p><p><span style=\"font-weight: 400;\">---<\/span><\/p><p><b>Ameer's Story<\/b><\/p><p><span style=\"font-weight: 400;\">At a young age, Ameer developed a passion for photography by watching his elders who worked for the local media and covered the war in his city. In turn, he wanted to describe reality through images, and to do so, \"be in the right place\".&nbsp;<\/span><\/p><p><span style=\"font-weight: 400;\">Ameer began photography at the same age as Abdul, when war broke out in his hometown of Aleppo. He learned photography on his own. Day after day, he took pictures \u2014 <\/span><span style=\"font-weight: 400;\">ghastly they may be<\/span><span style=\"font-weight: 400;\"> \u2014 of the injured and dead bodies he witnessed lying on the ground . Later, he started working as a Syrian correspondent with several international media such as the AFP (Agence France-Presse).&nbsp;<\/span><\/p><p><span style=\"font-weight: 400;\">When Aleppo was sealed off for several months, his life and that of all the inhabitants came to a tragic and irreversible turning point. When the siege ended, their homes disappeared; all that was left were the remains of a daily life that was forever lost. A choice had to be made between two constraints: pile up in another city or&nbsp; take the risk of fleeing the country.&nbsp;<\/span><\/p><p><span style=\"font-weight: 400;\">Meanwhile, Abdulmonam Eassa, who opted for the second solution, shares details about his departure from Syria: \"I have decided on everything I have done in my life, except for when I left home.\" He took the bus to the border between Turkey and Syria, the only way out of the country, and landed in France five months later, once he had obtained his visa.&nbsp;<\/span><\/p><p><span style=\"font-weight: 400;\">---<\/span><\/p><p><b>Protests in Paris<\/b><\/p><p><span style=\"font-weight: 400;\">When Abdul heard about the Yellow Vests protests, one question popped into his mind: \"What do the protests look like in Europe, in a country like France?\"<\/span><\/p><p><span style=\"font-weight: 400;\">Not expecting to see violence, he was a bit surprised during the first protests. One good thing, he notes, is that no one dies here. However, the situation in Paris and Syria is not comparable, Abdul highlights. Two different contexts, yet the challenge remains the same for Abdul: to inform the world through images. In his photography, Abdul wants to understand and communicate the real needs of people, in France as in Syria.<\/span><\/p><p><span style=\"font-weight: 400;\">---<\/span><\/p><p><span style=\"font-weight: 400;\">Abdul was also there on December 12, at the \"Marche des libert\u00e9s\" [\"Freedom march\"] against the Global Security Bill. He saw the protesters being hit. But this time it was also his fellow photojournalist Ameer Al-Halbi who couldn\u2019t avoid a police officer\u2019s baton. When he saw his friend\u2019s serious facial injury, Abdul's reaction was not one of shock. Instead, he shares with us his resignation; from where he came, he has seen and lived the worst.<\/span><\/p><p><span style=\"font-weight: 400;\">Ameer Al-Halbi describes the events of December 12 himself. The peaceful protest turned into a confrontation between the protesters and the police. Holding his camera in his hand, Ameer stepped in and whirled around between the two sides, amidst the noise and beatings, in order to take the right picture. He doesn't remember exactly, but it all happened very quickly: he was hit in the face with a baton, and collapsed to the ground. Stunned, he saw people pass over his body. It was only much later, in the hospital, that Ameer realized that his injuries were serious. He recounts his shock when he saw his face covered with bruises and bandages and his broken nose.<\/span><\/p><p><span style=\"font-weight: 400;\">---<\/span><\/p><p><span style=\"font-weight: 400;\">However, after the horror he endured in Syria, now nothing&nbsp; seems to touch Ameer deeply. Just like Abdul, he explains that after what he experienced there for so long, he doesn\u2019t feel fear anymore.<\/span><\/p><p><span style=\"font-weight: 400;\">Being a photojournalist in France and in Syria remains incomparable. When he left his hometown to escape the siege, everyone was jostling and crowding on the buses. But the journey was particularly tiring and the atmosphere tense for Ameer, who was on the lookout for the Syrian, Russian or Iranian authorities.&nbsp;<\/span><\/p><p><span style=\"font-weight: 400;\">\"I didn't take my camera or my computer,\" said Ameer, \"because I knew that if by any chance we were stopped and they [asked] if I was a photographer, I would be dead.\" He left everything behind in order to blend in with the crowd, because taking pictures in Syria was an act that could cost him his life.&nbsp;<\/span><\/p><p><span style=\"font-weight: 400;\">Abdul's words echo his own: \"[I was] a photojournalist, not a teenager. [...]&nbsp; Adolescence does not exist in my life.\"&nbsp;<\/span><\/p><blockquote><p>\u201cIt is through photography that I can go further\u201d (Ameer)<\/p><\/blockquote><p><span style=\"font-weight: 400;\">However, photography also brings back harrowing memories of Aleppo for Ameer. He lost his father there, who was rescuing inhabitants in between bombings. Throughout&nbsp; this ordeal, he found a way to express his grief through&nbsp; photography. For a year after his father's death, he shot a series of photographs on the theme of the relationship between father and son, which won him a number of prestigious awards. However, Ameer undertook this project mainly for his personal journey.<\/span><\/p><p><span style=\"font-weight: 400;\">\"It's actually more than a job. [...] If I hadn't done it, I don't know if I would be alive today. For a long time, I didn't feel very well, even now, but it was the photo that made me feel better [...] and it will stay that way for the rest of my life.\"<\/span><\/p><p><span style=\"font-weight: 400;\">Coming to France, he applied to the Speos School of Photography, with the help of <\/span><i><span style=\"font-weight: 400;\">Polka magazine<\/span><\/i><span style=\"font-weight: 400;\"> and the AFP, for whom he works. He realized that he had never really thought about photography in any other way: all his life, photography had been an instrument of the press in the context of war journalism. And for the past year, he has enjoyed rediscovering his passion and exploring documentary photography, and cinema among others.<\/span><\/p><p><span style=\"font-weight: 400;\"><\/span><\/p><\/div><\/div><\/div><\/div><\/div><div class=\"vce-col vce-col--md-16-66p vce-col--xs-1 vce-col--xs-last vce-col--xs-first vce-col--sm-last vce-col--sm-first vce-col--md-last vce-col--lg-last vce-col--xl-last\" id=\"el-9b8d5706\"><div class=\"vce-col-inner\" data-vce-do-apply=\"border margin background  el-9b8d5706\"><div class=\"vce-content-background-container\"><\/div><div class=\"vce-col-content\" data-vce-element-content=\"true\" data-vce-do-apply=\"padding el-9b8d5706\"><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vce-row-container\" data-vce-boxed-width=\"true\"><div class=\"vce-row vce-row--col-gap-30 vce-row-columns--top vce-row-content--top\" id=\"el-a4ce353a\" data-vce-do-apply=\"all el-a4ce353a\"><div class=\"vce-row-content\" data-vce-element-content=\"true\"><div 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Reporter\/director, she makes reports for M6, RMC STORY, RFI, Nova. Passionate about culture, Rizlaine is committed to highlighting diversity, underground culture &amp; world music as a host on Demain TV &amp; MCE and as a columnist on RFI, Sud Radio. She is also co-author of the web documentary <I>C\u00e9saire notre contemporain<\/I> broadcasted on the France T\u00e9l\u00e9vision platform.<\/p>\n<\/div>\n\n        \n            <!-- Author related posts -->\n            <div class=\"m-a-box-related\" data-related-layout=\"layout-1\">\n                <div class=\"m-a-box-item m-a-box-related-entries\" style=\"display: none;\">\n\n                    <ul>\n                         <span class=\"m-a-box-string-no-related-posts\">Cet auteur n'a pas d'autres publications.<\/span>                    <\/ul>\n\n                <\/div><!-- End of .m-a-box-related-entries -->\n            <\/div><!-- End of .m-a-box-related -->\n\n        \n    <\/div><!-- End of .m-a-box-data -->\n\n<\/div><!-- End of .m-a-box-content-middle -->\n\n<div class=\"m-a-box-content-bottom\"><\/div><!-- End of .m-a-box-content-bottom -->                <\/div>\n\n            \n                \n                <div class=\"m-a-box-profile-multiauthor\" data-author-id=\"2451\" data-author-type=\"guest\" data-author-ref=\"guest-2451\"\n                     itemscope itemid=\"#molongui-disabled-link\" itemtype=\"https:\/\/schema.org\/Person\"                >\n                    \n<div class=\"m-a-box-content-top\">\n\n\t\n<\/div><!-- End of .m-a-box-content-top -->\n\n<div class=\"m-a-box-content-middle\">\n\n    <!-- Author picture -->\n    \n\t<div class=\"m-a-box-item m-a-box-avatar\" data-source=\"local\">\n\t\t                <span>\n                    <img src=\"https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2023\/06\/IMG_9405BE8EA6F5-1-150x150.jpeg\" class=\"attachment-100x100 size-100x100 wp-post-image\" alt=\"\" itemprop=\"image\" srcset=\"https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2023\/06\/IMG_9405BE8EA6F5-1-150x150.jpeg 150w, https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2023\/06\/IMG_9405BE8EA6F5-1-298x300.jpeg 298w, https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2023\/06\/IMG_9405BE8EA6F5-1-768x774.jpeg 768w, https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2023\/06\/IMG_9405BE8EA6F5-1-12x12.jpeg 12w, https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2023\/06\/IMG_9405BE8EA6F5-1-320x322.jpeg 320w, https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2023\/06\/IMG_9405BE8EA6F5-1-480x483.jpeg 480w, https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2023\/06\/IMG_9405BE8EA6F5-1-800x806.jpeg 800w, https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2023\/06\/IMG_9405BE8EA6F5-1-70x70.jpeg 70w, https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2023\/06\/IMG_9405BE8EA6F5-1-675x680.jpeg 675w, https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2023\/06\/IMG_9405BE8EA6F5-1-526x526.jpeg 526w, https:\/\/prod-2018.frictions.co\/wp-content\/uploads\/2023\/06\/IMG_9405BE8EA6F5-1.jpeg 828w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/>                <\/span>\n                \t<\/div>\n\n    <!-- Author social -->\n    <div class=\"m-a-box-item m-a-box-social\">\t\t\t\t\t<div class=\"m-a-box-social-icon m-a-list-social-icon\">\n\t\t\t\t\t\t<a class=\"m-icon-container m-ico-twitter m-ico-\"  href=\"https:\/\/twitter.com\/r_maouche\" target=\"_self\" itemprop=\"sameAs\" aria-label=\"View Ryad Maouche's Twitter profile\">\n\t\t\t\t\t\t\t<i class=\"m-a-icon-twitter\"><\/i>\n\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n    <!-- Author data -->\n    <div class=\"m-a-box-item m-a-box-data\">\n\n        <!-- Author name -->\n        \n<div class=\"m-a-box-name m-a-box-title\">\n\t<h5 itemprop=\"name\">\n                        <span>\n\t\t\t        Ryad Maouche                <\/span>\n\t            \t<\/h5>\n<\/div>\n        <!-- Author metadata -->\n        \n<div class=\"m-a-box-item m-a-box-meta\">\n\n    \n    \n    \n\t\n\t\n\t\n\t        \t\t<script type=\"text\/javascript\" language=\"JavaScript\">\n\t\t\tif ( typeof window.ToggleAuthorshipData === 'undefined' )\n\t\t\t{\n\t\t\t\tfunction ToggleAuthorshipData(id, author)\n\t\t\t\t{\n\t\t\t\t\tlet box_selector = '#mab-' + id;\n                    let box = document.querySelector(box_selector);\n                    if ( box.getAttribute('data-multiauthor') ) box_selector = '#mab-' + id + ' [data-author-ref=\"' + author + '\"]';\n                    let label = document.querySelector(box_selector + ' ' + '.m-a-box-data-toggle');\n\t\t\t\t\tlabel.innerHTML = ( label.text.trim() === \"Plus de publications\" ? 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In 2020, he co-founded the media company Frictions.<\/p>\n<\/div>\n\n        \n            <!-- Author related posts -->\n            <div class=\"m-a-box-related\" data-related-layout=\"layout-1\">\n                <div class=\"m-a-box-item m-a-box-related-entries\" style=\"display: none;\">\n\n                    <ul>\n                            <li>\n        <div class=\"m-a-box-related-entry\" itemscope itemtype=\"http:\/\/schema.org\/CreativeWork\">\n            <div class=\"molongui-display-none\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\n                <div itemprop=\"name\">Ryad Maouche<\/div>\n                <div itemprop=\"url\">#molongui-disabled-link<\/div>\n            <\/div>\n            <div class=\"m-a-box-related-entry-title\">\n                <i class=\"m-a-icon-doc\"><\/i>\n                <a class=\"molongui-remove-underline\" 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href=\"https:\/\/prod-2018.frictions.co\/english\/love-better\/nicole-and-rudy-a-transatlantic-love-story\/\" itemprop=\"url\">\n                    <span itemprop=\"headline\">Nicole and Rudy: A Transatlantic Love Story<\/span>\n                <\/a>\n            <\/div>\n        <\/div>\n    <\/li>\n        <li>\n        <div class=\"m-a-box-related-entry\" itemscope itemtype=\"http:\/\/schema.org\/CreativeWork\">\n            <div class=\"molongui-display-none\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\n                <div itemprop=\"name\">Ryad Maouche<\/div>\n                <div itemprop=\"url\">#molongui-disabled-link<\/div>\n            <\/div>\n            <div class=\"m-a-box-related-entry-title\">\n                <i class=\"m-a-icon-doc\"><\/i>\n                <a class=\"molongui-remove-underline\" href=\"https:\/\/prod-2018.frictions.co\/english\/france-suspended-times\/paris-quarantine-baby\/\" itemprop=\"url\">\n                    <span 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